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Tuesday, 17 July 2007

  • Welcome and News Update

     

    Welcome to the new Xanga of

    Artists Junction International

    View the latest newsletter:
    http://www.artistsjunction.org/page.aspx?id=88529


    *Thank you to all of the new subscribers! Please visit a gathering and join the mailing list for experiencing the most out of AJI. Also, please take a look at the newsletter.

    *There is an upcoming event, the Snowflake Gala.  Please see details here, http://www.geocities.com/cpg327/snowflake.html or here, http://www.artistsjunction.org.

     

    Description:


    Who are we?

    We are a faith-integrated, nonprofit organization dedicated to restoring artists and the arts to the Kingdom of God.

    Where are we located?

    Our headquarters are in Lancaster, Pennsylvania, U.S.A.

    Our History

    We started as one small gathering of about a dozen artists back in July of 2002, meeting to encourage each other and find purpose for our lives and our talents.

    Since then, we've grown to a local community of 60 artists in our own area, meeting in several groups across our county. We've held our own collective visual and performing arts "showcase" for the community and have learned to stay connected despite our wide variety of church and life backgrounds.

    We incorporated as a nonprofit in the USA in November 2004 and desire to make what we have learned and experienced available to artists around the world seeking to come together, learn about God's Kingdom, and find their purpose and role in our world.

    Contact Us!

    Interested in starting an Artists' Junction in your town or city?

    We'd love to hear from you and explore the possibilities!

    aji@artistsjunction.org

    (717) 295-2533

    Artists' Junction International

    PO Box 282

    Lancaster PA 17608


    Attn: Deb or Jan
    Contact Info
    Email:
    Website:
    Office:
    Located on the second floor of the Mulberry Arts Studio in Lancaster, PA
    Street:
    Mulberry St.
    City:
    Lancaster, PA

     

     

     

    Here is a list of current gatherings:

    West Reading Gathering

    Hard Bean Cafe

    600 Penn Ave, West Reading PA

    Starting on November 6th, meets every first and third Tuesday, 7-10 p.m.

    facilitator: Cameron Gaul

     

    Strasburg Gathering

    325 Sunset Avenue, Strasburg PA

    meets every first Thursday, 7-9 p.m.

    facilitator: Arnolda Brenneman

     

    Conestoga Gathering

    49 Cambridge Dr, Conestoga PA

    meets every third Thursday, 7-9 p.m.

    facilitator: Priscilla Williams

     

    AJ Writers Gathering

    Purple Mug Coffeehouse

    25 N. Prince St (across from Fulton Opera House)

    Lancaster PA

    meets every third Saturday, 10 a.m. - noon

    facilitator: Deb Munson

     

    Oasis

    (worship and prayer in the arts)

    Lord's House of Prayer - sanctuary

    133 E. Vine St, Lancaster PA

    meets every second Saturday, 10 a.m. - noon

    facilitator: Jan Brenneman

     

    The Sandbox

    (Bring your creativity and the tools of your form - let's play together!)

    Lord's House of Prayer - fellowship hall

    133 E. Vine St, Lancaster PA

    meets every fourth Saturday, 10 a.m. - noon

    facilitator:

    New people are always needed to keep the vision growing!

Tuesday, 26 June 2007

  • Bezalel/Betzalel/B'tzalel Biography

    He was only 13 at the time!!

    Bezalel
    From Wikipedia, the free encyclopedia
    http://en.wikipedia.org/wiki/Bezalel
    For the school of art, see Bezalel Academy of Art and Design.

    In Exodus 31:1-6, Bezalel (Hebrew: בְּצַלְאֵל, also transcribed as Betzalel and most accurately as B'tzalel), is the chief architect of the Tabernacle.[1] Elsewhere in the Bible the name occurs only in the genealogical lists of the Book of Chronicles, but according to cuneiform inscriptions a variant form of the same, "Ẓil-Bêl," was borne by a king of Gaza who was a contemporary of Hezekiah and Manasseh. Apparently it means "in the shadow [protection] of El." Bezalel is described in the genealogical lists as the son of Uri (Exodus 31:1), the son of Hur, of the tribe of Judah (I Chronicles 2:18, 19, 20, 50). He was said to be highly gifted as a workman, showing great skill and originality in engraving precious metals and stones and in wood-carving. He was also a master-workman, having many apprentices under him whom he instructed in the arts (Exodus 35:30-35). According to the narrative in Exodus, he was definitely called and endowed to direct the construction of the tent of meeting and its sacred furniture, and also to prepare the priests' garments and the oil and incense required for the service.

    He was also in charge of the holy oils, incense and priestly vestments.[2]


    [edit] In Rabbinical Literature
    The rabbinical tradition relates that when God determined to appoint Bezalel architect of the desert Tabernacle, He asked Moses whether the choice were agreeable to him, and received the reply: "Lord, if he is acceptable to Thee, surely he must be so to me!" At God's command, however, the choice was referred to the people for approval and was endorsed by them. Moses thereupon commanded Bezalel to set about making the Tabernacle, the holy Ark, and the sacred utensils. It is to be noted, however, that Moses mentioned these in somewhat inverted order, putting the Tabernacle last (compare Exodus 25:10, 26:1 et seq., with Exodus 31:1-10). Bezalel sagely suggested to him that men usually build the house first and afterward provide the furnishings; but that, inasmuch as Moses had ordered the Tabernacle to be built last, there was probably some mistake and God's command must have run differently. Moses was so pleased with this acuteness that he complimented Bezalel by saying that, true to his name, he must have dwelt "in the very shadow of God" (Hebrew, "beẓel El"). Compare also Philo, "Leg. Alleg."

    Bezalel possessed such great wisdom that he could combine those letters of the alphabet with which heaven and earth were created; this being the meaning of the statement (Exodus 31:3): "I have filled him . . . with wisdom and knowledge," which were the implements by means of which God created the world, as stated in Proverbs 3:19, 20 (Berakhot 55a). By virtue of his profound wisdom, Bezalel succeeded in erecting a sanctuary which seemed a fit abiding-place for God, who is so exalted in time and space (Exodus R. 34:1; Numbers R. 12:3; Midrash Teh. 91). The candlestick of the sanctuary was of so complicated a nature that Moses could not comprehend it, although God twice showed him a heavenly model; but when he described it to Bezalel, the latter understood immediately, and made it at once; whereupon Moses expressed his admiration for the quick wisdom of Bezalel, saying again that he must have been "in the shadow of God" (Hebrew, "beẓel El") when the heavenly models were shown him (Numbers R. 15:10; compare Exodus R. 1. 2; Berakhot l.c.). Bezalel is said to have been only thirteen years of age when he accomplished his great work (Sanhedrin 69b); he owed his wisdom to the merits of pious parents; his grandfather being Hur and his grandmother Miriam, he was thus a grand-nephew of Moses (Exodus R. 48:3, 4).


    [edit] Modern-day
    The tradition of craftsmanship was revived by Boris Schatz who founded the Bezalel Academy in Jerusalem.


    [edit] References
    ^ BEZALEL - Jewish Encyclopedia article
    ^ Beseleel - Catholic Encyclopedia article

    This article incorporates text from the 1901–1906 Jewish Encyclopedia, a publication now in the public domain.

    Retrieved from "http://en.wikipedia.org/wiki/Bezalel"
    Category: Torah people
  • The Argument

    God is calling new artists all the time to use their gifts to teach others about the involvement of the Holy Spirit in the world. Though, some end up in isolation due to the solitary nature of creating a work of art. Its rarely like performing a song or play in which there are many performers all working together. It usually ends up with one person getting involved in their own kind of microcosm, placing the piece in their own portfolio which they may end up displaying in their own rented gallery space. Along with this isolation, the Christian artist represents Christ, and will encounter opposition for that alone from unbelievers or the postmodern man who does not believe in absolutes. There is also opposition from believers. During the time in Europe’s history when the Church could excommunicate a person, cutting them off from all Christian fellowship, there was much controversy over what art is legitimate and what will end up as a “graven image” to be given praise as an idol would be praised. The result was limiting Christian art to explicit illustrations of events in the New Testament. Since then, Christian art has yet to fully recover. Although the crucifix is probably the most popular subject of art, more and more paintings of crucifixes come into being, which are fine, but the artist is afraid to go into deeper ground. Afraid to show a true-to-life spiritual message which may end up being too controversial.

    The problem concerning Christian art is not new. Several books have been written concerning the issues and changes that need to be made with the Christian arts and yet no one seems to be taking action. The result of this ignorance is causing the Christian artist to be left in a state of diaspora- exiled, confused, and unnurtured. There are many who would consider themselves “visual artists” but they are mostly scattered, unorganized and battling with fears of survival. But what the individual and even the church ignores, Satan claims for his own, which explains the over-secularization of the arts. We argue and complain about liberal media and entertainment industry, but it is not their fault for the lack of moral values and spirituality. The world can never produce what is godly; darkness does not make light. It is partially the fault of the church for leaving these mediums of expression aside for Satan to conquer and corrupt.

    It can only come when we nurture our own Christian artists to create, publish, and release their work into the world. Sadly, instead, we leave our artists alone, giving them more opposition or apathy than encouragement to push themselves, and we end up with art of lesser quality and impact. The problem has to stop.

    But there is hope and a solution obtainable. All the church has to do is take the initiative to educate, form community, pray to God for guidance and inspiration, vision, and encourage artists to take initiative and stand against the current as all great artists must do one day.


    Education

    Education has always been a key component to development. One cannot do something until they are taught how to do it. “Because of their lack of knowledge my people perish” said God to ... and that principle still holds true today and is the main cause for the diaspora among Christian artists. Our churches are filled with classes that teach everything one needs to know about the bible (and they should), but never anything on how to incorporate scripture and spirituality into our talents and abilities such as art. Nobody is learning how to take biblical theory and put it into practice. We preach for people to use all their talents and abilities for the glory of God, but never show them how to.
    The church needs to open the doors of acceptance to artist, nurture their abilities, and show them how to use their art for God and evangelism. The church needs to become knowledgeable about Christian artist and artwork and spread it to our younger artists so that they might grow stronger ...plenty of books are written on the topic of Christian art and need to be read and taught to other artists....learn how to incorporate art in worship service... Also, more experienced artists need to help the younger ones, in a kind of mentoring relationship. Because we are all in service to one God, we do not need to worry about competing against each other but we must unify ourselves to more effectively serve God as a unified army instead of scattered tribes.

    Community

    These education groups not only provide training but a place of community where Christian artists can come together and fellowship. No man should be an island, but due to the lack of attention and recognition Christian artists receive from the church, they feel that way. We need to come together and form a place where artist can share ideas, theories, and plans about art and how they want to use it. This will provide the necessary encourage meant and support the Christian artists needs to continue to use their art for God in a secular world that keeps labeling them as crazy.

    Prayer

    All things require prayer. The christian artist needs to be in daily habit of prayer asking God for guidance and inspiration. If one wants to truely be used for ministry then they must be in connection with the source ....for inspiration and guidance on art...if our work devoid of the holy spirit then it is in vain and cannont be used for the glory of God... I can’t tell you how much I’ve prayed while working on art, and God not only guides me, but the result is more than anything I could have done without him! Akiane Kramarik is a perfect example of the Holy Spirit using the artist as a sign, and we should seek to do the same. One of the goals of this article-based ministry is to have an interview with her to post here.

    Another ministry which will be posted separately is a joint-artist gallery ministry. Basically we will seek to find hot-spots to use as gallery space and fill the space with art primarily made to be viewed by non-believers in a culturally relevant way. Our goal will be to show the absolute in a way that is friendly to the postmodern man or woman. Not an easy task but God has given the vision and will clear the way!
    -Written by Nicole and Cameron